WW2 Photos released on Flickr

I hadn't meant to write two military themed blog posts back to back but I thought that this was too interesting to leave for later.  A project to scan over 3,000 images taken during the D-Day Landings and the months following has been completed and the images can now be seen on Flickr.  The entire collection can be accessed HERE.

Like the recent Korean fake photos - but actually a real massed amphibious landing force.

Unfortunately the majority of captions are in French but hopefully as awareness of the site increases more of the text will be translated into English.

The images have been collected into smaller sets to make navigation easier.  My favourite images are from the sets containing pictures taken in colour.  These are scarce and although they often lack the drama of BW images there is much more information to be gleaned:

Barrage balloons in Weymouth prior to Overlord

The worst darts player in uniform?

US Military Policeman

News of this collection is gradually starting to spread and you may find that Flickr is a little slow as you move through the images - bear with it though as there are a lot of documentary pictures to work through.

Public online collections like these are starting to creep up everywhere.  New York City Department of Records has finally completed cataloguing its massive collection of over 870,000 images and made them available online.  They have gone a little over the top with their water marking and the images suffer as a result.  In the United Kingdom the National Media Museum continues to increase its online collection as does the National Library of Wales.

US Military Photographer of the Year 2012

The winners of the 2012 US Military Photographer of the year award has been announced.  With all of the freelance photographers currently risking their lives in war zones across the world I am always interested to see how military personnel are allowed to publically portray themselves in competitions like this.  Having served in the military myself I am acutely aware of how easy it is for these events to be hijacked as a public relations or political exercise.

Category: Combat camera operational, honorable mention

Army soldiers with the 1st Battalion, 501st Infantry Regiment deployed to Combat Outpost Sabari in Afghanistan scan the area as they begin a multi-day air assault mission May 2 in the eastern Khost province, near the Pakistani border.

Staff Sgt. Joshua L. DeMotts / U.S. Air Force

Category: Portrait-personality, second place

An Afghan National Army soldier poses with a poppy near the village of Karizonah, in Khost province. In Afghanistan, the poppy crop is a major source of funding for extremist groups involved in the Taliban-led insurgency.

Staff Sgt. Joshua L. DeMotts / U.S. Marine Corps

Category: Combat camera operational, first place

Afghan National Army special operations and coalition forces search a compound March 23, 2012, in Southern Afghanistan during a raid targeting a Taliban sub-commander.

Staff Sgt. Sean K. Harp / U.S. Army

Category: Hardware, first place

U.S. Air Force equipment from the 820th RED HORSE Squadron, descends for support during Mobility Air Force Exercise over the Nevada Test and Training Range. 

Airman 1st Class. Daniel Hughes / U.S. Air Force

Category: Features, first place

Retired Air Force Lt. Col. Robert Lock and his wife, Chris, comfort his mother, Mary, as she takes her last breaths before passing away Oct. 22 at a nursing facility in Gloversville, N.Y. She was 87.

Master Sgt. Jeremy Lock / U.S. Air Force

The image above is my favourite from the whole competition, I guess it appeals to the documentary photographer in me.  I investigated further into this shot.  The photographer is Jeremy Lock, grandson of the subject.  He is currently a U.S. Air Force combat photojournalist stationed at Charleston Air Force Base, S.C. with the 1st Combat Camera Squadron.  Over the years he has had seven winning entries in the Military Photographer of the Year competition.  Whilst serving as a photographer in Iraq in 2006 he was taking pictures of a group of marines that came under fire.  Several marines were hit and Lock put down his cameras, picked up an assault rifle, and helped provide covering fire as the injured were dragged to safety.  For his actions he was awarded the Bronze Star.

Lock, shown above, has worked around the world with the military.  His work has been published in Time and National Geographic magazines as well as major newspapers across the United States including The New York Times, The LA Times and The Washington Times. His work has also been published in books including "The War in Iraq" and "A Day in the Life of the United States Armed Forces."  

An interview with Lock from 2006 can be found HERE.  I found the following points from the interview interesting to read - especially as I've just recently watched the brilliant documentary McCullin:

What special precautions and/or equipment do you take when you're going to a combat area?
Well, lucky for me, I have a lot of military training that is required before we step foot in the war zone. And on this trip it has definitely worked. The training just kicks in which in turn helps you complete the mission. When I go out for a shoot here, I wear a Kevlar helmet, body armor, shooters vest with one lens (17-55mm) extra batteries and film cards, note pad and pen and some essential first aid supplies. I have a 9mm pistol strapped to my leg and carry 2 cameras (D1X with a 80-400mm lens and a D2X with a 12-24mm lens) At times I do interchange the lenses with different bodies depending on the effect or situation. With my photography I do not use flash unless I am in a studio. And for night missions I carry a night vision lens adapter, but don’t use it. I use all natural light. And I always pray for my safe return! 

What ethical considerations do you keep in mind while shooting in combat zones (civilians and military)?To capture the truth! When editing my photos I do not do anything that can not be done in a darkroom - unless I'm creating an illustration.
 What are some of the ethics issues in conflict areas?Knowing when to shoot and knowing when to put the camera down and help out with civilians or military.  I have not really had any problems in this area yet. I did have to put my camera down and help give first aid to a civilian who was shot because there was only one guy helping and he needed help.  In my experiences the people I am photographing know I am there, so act accordingly. If something did go amiss I would like to think I would stop it or shoot what’s going on and let the higher ups deal with it. Until you are put into that situation, you don't know.
 How did these instances affect you, and did your emotions impact the way you approached a photo?
I have not encountered any ethical issues over here. I did, however, have one when I was working on a story in a neo natal intensive care unit very early in my career.  I was shooting a family that gave me permission to shoot them and their baby died. Although I had permission I couldn’t bring the camera to my face. Later I talked about the situation with my fellow photographers and we all agreed, as long as I wasn’t obtrusive to the family, shooting from a distance, the family probably would of loved to have the last few moments with their baby captured on film to remember. Again you just never know until you are put in to these situations. I believe if you are a good person you will do the right thing.

A very short clip with Lock in action is HERE

Lock learnt his skills at the Defense Information School.  Some details of the courses run there can be found by looking through some of the links from the page ie for the Intermediate Photojournalism Course - the references page is useful, it seems that actually taking pictures is a very small part of the course.

Lock is currently the chief photographer for the Airman Magazine, the official magazine of the USAF, and some of his images for that publication can be found HERE.

More images from this year's competition can be found at:

The Telegraph

CBS News

The Daily Mail

Book Review: The Myth of the Airborne Warrior

The Myth of the Airborne Warrior, published by Photoworks, is a set of personal images from the portfolio of Stuart Griffiths.  As a subscriber to the Photoworks magazine I came across this work through one of their articles and was immediately struck by it.

The book contains photos taken by Griffiths during his time as a paratrooper serving in Northern Ireland.  They are casual snaps of his colleges on and off duty and the streets that they patrolled in the late 80's and early 90's.  To break up the images several pages include 'censored' extracts from his personal diary.  The book is sold as a limited run of 500 numbered editions.  Included in this version is a signed numbered 4x6 print and four facsimile documents that include a rules of engagement card and two nationalist posters.



Griffith collaborated with fellow photography student Gordon MacDonald to compile the book.  The original intention was not necessarily to create a historical record of the troubles but more to help Griffith organize his images into a coherent narrative.  The resulting work is an emotional record of the gradual disillusionment of Griffith.  Over- trained and bound by strict rules of engagement Griffith and his colleagues found themselves in a world that was 99% boredom with 1% extreme excitement.  The pictures alone do not convey this story, in fact, I feel that the images themselves are quite weak.  In our current climate soldiers with their mobile phones and compact cameras are taking hundreds of photos that are similar, or better, to ones shown in this book.  Griffiths' has the advantage of serving before the proliferation of war blog photos.  Taken in the 80's his images already have the 'retro' style that is currently popular.  Several of his images have light leaks, are too vibrant or are poorly exposed but these are strengths rather than deficiencies.  The excerpts from his diary really add to the book and provide the much needed narrative.  It is from these that the decline in Griffiths' morale and increasing frustrations can be felt.  Much of the text has been scored through with a thick marker pen as if censored but there is enough visible behind the marker to read, albeit with a bit of effort, what is 'missing'.  I like this technique as I made me feel I was breaking the rules and seeing something secret.



The book finishes with a short essay by MacDonald that charts the creative process behind the book and explains a little of the professional relationship between the two authors.



It is possible to get a look at the full book by clicking HERE.  And no, those aren't my hands and painted fingernails :)

To learn more about Griffiths' work you can follow his blog HERE.

Manzine Magazine has a short but interesting interview with Griffiths HERE and Sean O'Hagan discusses the book for the Guardian newspaper HERE.