Showing posts with label photographer. Show all posts
Showing posts with label photographer. Show all posts

Tuesday, 15 January 2013

Park Cameras Facebook Competition

Exciting news!  Just found out today that one of my pictures has won second prize in a Facebook photo competition organised by Park Cameras.  The theme was "Christmas" and so I entered an image of a robin in a suitably festive wintry tree.  I must admit that I entered this competition fairly early after it was announced and so forgot about it - there were only two other entries when I entered my shot and I hadn't realised that one of the other ones was also a robin.  I nearly deleted the email telling me I had won one of the two prizes available - a Canon A3+ sized photo printer!

The timing couldn't be more perfect as I am about to print off the final versions of the prints I want to include in my university application portfolio.  The Canon Pixma Pro-100 that Park are sending me has had great reviews and is the new model of the Canon 9000 Mk2 that I currently use.  I'll hopefully get it in the post in the next few days and I'll do a review of it and provide some comparison between that and the older version.

Here is the shot that won the competition and below it my robin picture.  I've had a look through the 200+ entries that Park Cameras received for this competition and picked out a few of my favorites.


Edinburgh Ramsey Garden - Tim Hodges
A truly deserving winner that captured this beautiful spot in amazing light.  This I could easily see being snapped up by manufacturers of Christmas Cards.

Winter Robin - Paul Fox :)

This robin lives right outside the office window where I've worked for the past three years (or at least a long line of similarly looking robins has done so).  Like lots of urban robins he's gotten very brave and doesn't seem to mind humans getting close to him.  This was a particularly cold morning and we had some unusual frost formations here in Shropshire and so I had my Canon G9 with me as it has a great macro mode.  I noticed the robin sat perfectly in the tree above me as I was shooting and chanced a couple of shots of him - this was  the best of the bunch I took.  Thank you Mr Robin for winning me a lovely prize.

The following images are taken from the competition pages.  Because of the automated entry system used by facebook very few of the entries had titles or any details of the photographer - all copyright etc remains with them!

Harsh Winter - Uncredited

Mary - Uncredited
All things Twinkle at Christmas - Jeanette62
Santa - Uncredited


I've really started to enjoy entering these competitions.  Begrudgingly I'd encourage you all to have a go - but that means I'm going to have to up my game to try to beat you.  I've found that you can never really tell what the judges are looking for (or the quality of the other images in the running) for a prize.  Don't be afraid to enter and if you don't expect to win and you can only ever be delighted if your name gets a mention or better still you actually win something.  Over 3000 people 'like' Park Cameras on facebook and they have now all seen the two winning images, more will be on Park's weekly email listing - that's great publicity for any aspiring photographer. 

Monday, 5 November 2012

Pro photographers with really cheap cameras

Tonight I thought I'd share some light entertainment that has a serious message.  Most photographers are guilty of camera envy.  I have a lovely full frame DSLR and yet still want a medium format camera.  Photographers starting out are often quick to blame the camera for rubbish pictures.

This series of YouTube video clips gives different professional photographers really, really bad cameras and challenges them to get the most out of the kit.  The results may not win Photographer of the Year but I was very impressed by the images that could be produced from cameras as simple as an iPhone 2 or a Lego Camera!

Each video is around 10 minutes long except for the one with Chase Jarvis as his runs to twenty minutes or so.  Watching a professional in action is well worth the time and effort.  The videos all start with the same set up so you can probably skip the first few minutes once you've watched one or two.  If you want to try it yourself you may have to search on eBay or your local charity shops for an obsolete cheap model.

The final video is a switch, they give one of the models a fantastic Nikon D3S camera to see how she gets on.



Carsten Schael uses a Yashica EZ-F




Hermann Lee uses an iPhone 2G




Eric Wong uses a lovely pink Rollei compact point and shoot




Mark Chung uses a Vivitar 8027 and a non-professional model.



Chase Jarvis uses a Lego Camera, hell yeah!



Hong Kong Model Garcia shoots with a Nikon D3S.  She's a little annoying but does pretty well for a complete novice.















Monday, 17 September 2012

Essential iPhone Camera Apps

A few people have asked me what camera apps I use on my iPhone and so I thought I'd compile a list of my 10 most used Camera Apps.  I've included apps that change the way images are captured, apps for editing your images and two really useful little apps that will help lighten the load of your kitbag.

Camera+ (69p)


Camera+

If you only buy one camera app for your iPhone you need to get this one.  The current inbuilt camera app that comes with your phone is fine for normal use but this adds extra functionality.

Like the normal iPhone camera you can point on the screen to select a focal point.  This app adds an extra step - if you hit a small cross that appears near the focal point you can bring up a second aiming point.  This point can be moved around the image to determine which spot it takes a light meter reading from.  The overall image is then adjusted based on this point.  This works really well when dealing with tricky lighting situations like portraits against a window, or particularly bright/dark scenes.  You can also lock these points, or lock the white balance, based on the live meter readings.  It also has a stabilizer function - not an actual stabilizer but it will only take a picture when the camera is held steady.  There is also a burst mode and a timer mode, both very useful.

If that was all I'd still recommend the app but there is a second part to the software and that is an editing suite.  You can use the 16 presets to quickly alter an image for the style of photography. Settings include backlit, cloudy, night, portrait and my favourite - clarity (a subtle version of HDR).  There is also a wide selection of filters divided into Color (it's American!), Retro, Special and I Love Analog.  Retro filters replicate amongst others toy cameras, lo-fi, antique and Lomographic.  Special effects has nine modes including a full HDR mode, Color Dodge, Depth of Field and Miniaturize.  The I Love analogue filters cost an extra 69p to buy as a download and replicate nine old style cameras and film types such as Pinhole, expired (film) and Diana.  Each of the filters has an opacity slider and this gives even more control over the filters.  There is also a selection of nine adjustable borders that range for simple white/black borders to film sprockets and grungy torn edges.


Instagram (Free)


Instagram

Ah, the bane of my life but also a great app when it isn't used for evil, and by evil I mean pictures of feet, kittens or clouds!  This is primarily a photo sharing app.  It is fast replacing Flickr as the depository for the millions of images captured each day.  Instagram has become part of the war between Facebook and Google+ for dominance of the social media market.  Facebook acquired Instagram and Google+ bought out Snapseed (discussed later).  This app has also changed the way that people visualise images - rectangular shots are so last year, pictures are square shaped these days!  Every image created by this app is square, you can import an image from your camera folder but before you publish it must be cropped into a square format.

Instagram lets you capture images using settings similar to the default camera app.  Once it has an image the image editor kicks in, and this is where the strength of the app comes in.  You can auto adjust image settings to get the best exposure with just one click.  Before you start messing with your images you can chose a spot to be in focus and it will blur out the rest of the image (lots of control options over what is blurred/sharp).   It isn't just the traditional tilt-shift look as it also has the option to apply the effect as circles.  There is also a total of 18 preset filters that give a wide range of looks from 70's cameras to Black and White.  Some of the filters include borders and these can be turned on/off as required.  There is nowhere as much control as Camera+ but there is still a lot of variety in the filters.

As I mentioned earlier this is a photo sharing app and there are loads of options for getting your image out into the world wide web.  With a few screen presses you can send your images to email addresses, Flickr, Twitter, Tumblr, foursquare and of course Facebook.  You can also create a photo map that records where all of your images have been captured - a great way of recording your exact location whilst on holiday for example.

Filterstorm (£2.49)


I believe this is the most powerful photo editing app available on the iPhone and it even beats Adobe's Photoshop Express app for its functions.

Once you have loaded an image into the software you have dozens of tools available to you in an easy to use menu system.  In the crop menu for example you can crop as normal, scale to fit an exact ratio, straighten an image, add borders, make it square or change the image size with pixel accuracy.  Other menus open to change exposure, hue/saturation, white balance and shadows/highlights.  All standard stuff so far but there is much more!

This is one of the few apps that lets you have different layers, have layer masks, use curves (luminance, RGB and CMY), and save your favourite settings as one click actions.  Best of all it has multiple 'undo' options for when mistakes are made.  If it all sounds daunting then don't be afraid as everything is controlled through sliders.  If you are not sure what a feature does just whack the slider up to 100% and see the extreme version, you can then back it off to get the effect you are after.  You can even split the screen in two and compare the effect alongside the original.  If you aren't happy then just click the big red X and your image is reverted to normal.

I have an iPhone 4 and if I work on an image a lot it can get a little clunky as the processor struggles.  The sharpen image function seems pretty power intensive but it still only takes a few seconds to complete.  Final images can be exported back to the library or emailed and there are further options to determine file size and resolution at this stage.



Snapseed (£1.49)

Snapseed

This is predominately an editing app that uses a wide range of filters to create the final image.  It has thirteen items in its main menu: automatic, selective adjust, tune image, straighten, crop, black and white, vintage, drama (a grainy HDR effect), grunge (dark vignetting, increased sharpness and a subtle background texture layer), center focus (another American app!), frames and tilt-shift.

Each menu opens into further options that give finer control over your image.  The control method is a little unusual but only takes a minute to get used to.  When you select a main category, Fine Tune for example, you are presented with your image and 'Brightness 0' at the bottom.  By swiping your finger left and right on the image you can change the brightness.  If you hold your finger on the screen and move up and down you open more menus, in this case Ambiance, Contrast, Saturation and White Balance.

From the Black and White menu you can control Brightness, Contrast and Grain and have access to yet another set of controls (all using the easy swipe feature).  You can control the effects as a neutral filter or have fine tuning over reds, oranges, yellows, and greens, much like in the traditional darkroom.  Frames can be added to your image before you complete it and there is an option for a randomised 'torn' effect.  The tilt-shift function has more control than most apps but only straight lines can be used (unlike the circle effect available in Instagram).


Adobe Photoshop Express (free)

PS Express

The last of the 'big 5' apps that should be on your phone.  This has been produced by industry giants Adobe in their attempt to spread their dominance of the photo editing market into the iPhone.  This is a free app but to access the full features you will need to pay more money as in app purchases - these unlock camera styles, borders and special effects.  I've purchased all the packs so I can't actually remember what comes with the standard free edition.

The camera function is almost identical to the standard one but also has a 3 and 10 second self timer.  This isn't a capturing app, the power of this software is its image editing.

All the standard basic functions are included: crop, straighten, rotate (in 90 degree increments) and flip.  You can also control the exposure, brightness, hue and temperature from the second menu.  The third menu has control over the pixels with filters like sketch, soft focus, sharpen and reduce noise.  The final menu has the special effects and borders.  There are 61 special effects (really just a collection of filters and presets) and they include things like four types of tilt-shift and six types of black and white.  Amongst them are more fun filters such as postcard, sparkle and my favourite photo-stack.  This last filter cuts your image into lots of smaller ones, like laying a series of polariods over each other or in horizontal/vertical bands.  If you have Filterstorm then you probably don't need this app but I have included it makes the top ten for its easy of use and price.


PicFrame (69p)


This is a much over looked app but it can really add to your images if you want to stand out from the Insta-crowd.  This app allows you to combine several images together in one - like the 'family' frames you may have seen in your local photography/department store.

There are five different ratios available for your final image, 1:1, 3:2, 4:3, 2:3 and 3:4 and all the different 'frames' are available for each ratio.  The makers regularly update the frames and at the time of writing there are 67 in total.  You can control the colour, width and style of the frames and can add labels over the top.  It's the best way of creating a story in a single image and you can have up to nine images in one photo like the one I created in under two minutes as an example HERE (links to my Flickr account).


Slow Shutter (69p)

Slow Shutter

This gives you control over the exposure time for the camera.  The standard iPhone camera will choose the best settings for a pin sharp image and you can happily snap away with those settings.  This app lets you chose just how long you want the shutter open.  The main use for this is creating light trails, an effect that is impossible to create without the app.  You can make rivers look silky smooth, create artistic blurred portraits or take it to the race track for streaking action shots.  If you do start using this app seriously you may need to invest in an iPhone gorilla-pod or tripod as some of the automatic exposure times are as long as 15 seconds.  There is also a bulb mode for those really dark spaces.  I used this app to shoot THIS image in an empty cinema - no other app could cope!


Hipstamatic (free)

Hipstamatic

This app would be rated much higher, but for the fact that too many of the filters need to be purchased once you've bought the basic app package.  The app simulates an old film camera.  When you run the app it shows you the back of a camera with a viewfinder and a slot for a roll of film.  You chose what type of lens, film and flash you want on the camera (a fancy way of saying, pick a filter!) and then can shoot away.  The filters are sold in packs called SnapPaks for 69p each.  The majority of paks have one lens and one film type, for example the Portrait SnapPak has a 'Foxy Lens' and 'Sugar Film'.  An inbuilt help menu gives examples of the components in use and all of the items are interchangeable for some weird and wonderful images.  There are at least ten paks available for purchase at the time of writing so that's £6.90 for the set!



Easy Release (£6.99)

Easy Release
If you want to publish any of your portrait pictures professionally then you may need to have a model release.  This app is an automated system for creating the legal form that gives you permission to use the images.  It may be easier to have a pad of preprinted forms in your pocket but the strength of this app is that it quickly builds to become an electronic database of all your models and automatically emails completed release forms back to your main email account and to that of your model.  I bought this app early and it was pretty cheap but the price is currently £6.99 so it may put casual shooters off.

Before I go out shooting I set up the basic details in the app and then if I need to get a release it takes about a  minute to get everything ready for my model to sign on-screen.  I find that it can add to the shoot and make a non-professional model feel quite special :-)



Pocket Light Meter (free)

Pocket Light Meter
This final app is for anyone who likes to collect and use old film cameras.  I have a handful, and in some of them the photosensor has broken (or doesn't exist).  The Pocket Light Meter app lets you use your iPhone as a light meter.  When you open the app you are shown the live camera image and three scrolling dials that display time, aperture and ISO.  You can set any of these values (I usually use the film ASA and camera aperture) and the app will calculate the missing elements, in this case shutter speed.  I've tested it against the meter in my Canon 5D Mk2 and the results are impressive as it gets it almost spot on every time!  On the downside there are a lot of adverts in this app - it doesn't reduce the functionality at all but they are distracting.





There are many more photo apps on my iPhone and I may revisit this subject at a later date.  Some of my apps have a limited use and have only been used a few times.  Apps worth looking at include Pic Grunger and Photo Studio for editing, Hueless for capturing in black and white, and WordFoto for creating quirky images as it converts your photos to blocks of coloured text.  If you have any great apps that should have been on this list please leave a comment and tell me why I should have included it.




Monday, 30 July 2012

Liverpool Street Shoot


Liverpool Street Shoot

I went to Liverpool on Saturday, principally to visit the Open Eye Gallery, but also to try some more street photography.  The gallery itself was a bit of a disappointment but I really enjoyed wandering around a new city grabbing shots as I went.

The image shown above was taken minutes after arriving in the city, it's the stairway in large underground car park.  Some children were playing on the semi-transparent roof and it created a strange abstract image when I looked straight up at it.


Currently I'm drawn to capturing images of the older generation.  This group caught my eye as I walked between two shopping centres.  The postures and interactions between the two pairs was appealing.  The lady with the legs crossed in the 'wrong' direction serves as the focal point for the shot and I was lucky that they were sat under a stairway as this created a relatively neutral background for me.  I love that each of the subjects has a different facial expression, I wish the lady on the left hadn't caught sight of the camera.  The camera, my GX1, worked as brilliantly as ever at capturing detail - you can even see the support sock on the lady second from the left. 


This street performer was keeping a large crowd enthralled.  I just caught the end of his first drum solo and put some money in his bowl.  This made me more confident about taking photos of him and I tried several different positions and angles until I thought I had something usable.  One of the bad habits I'm trying to overcome is 'chimping'.  This is where you take a photo and then, straight away, stare at the LCD screen and make 'ooh ahh' sounds.  It's a bad habit as you can guarantee that the 'decisive moment' will occur as you look at the screen and you will miss it.  I am also trying to shoot at the 14mm end of my telephoto lens as it forces me closer to my subjects and gives a more personal feel to the images.  As with all my black and white images I converted this using the truly amazing Silver Efex Pro 2 software.  For this shot I had to use individual control points to lighten the drummer's face very slightly to improve it as a focal point at the top of the bucket-bottle-face triangle. I was lucky that in this image two of the bystanders were looking straight at the drummer and this helps to bring the viewer's eye back into the frame.



This final image was taken whilst I was grabbing some calories in a fast food restaurant.  I was sat in the window so I could try and take pictures of people gawping at a large menu board.  I happened to notice that a second menu board was splitting the harsh midday light into two distinct beams.  I waited patiently for someone to sit at the window and was lucky enough that this guy came along.  He was setting up his meal and very distracted and so I grabbed two frames as he dipped his head into the light beam.  

There are a few more images from the day on my Flickr pages and you can see them HERE

Thursday, 7 June 2012

Book Review: Questions without Answers


Book Review: Questions without Answers
The World in Pictures by the Photographers of VII

This book contains over 50 different photographic series from 11 of the major photographers from the agency VII.  The book contains 368 pages and is sized slightly larger than A4.  Although many of the images are in black and white those that are shot in colour are gloriously presented.  The paper seems to vary in weight and in several instances I thought that two pages had stuck together such was the quality.  Each of the photographers has their own chapter and the chapters commence with a brightly coloured insert.  In addition to the photo work there is an introductory essay by David Friend.

If you were as quick off the mark as I was, you may be able to get hold of a special edition that has been signed by 7 of the photographers - see the photo and imagine my grinning face being very happy at my purchase!

As for the book itself I totally love it.  I used to think of the Magnum agency as the best photo agency but after a chat with a photography lecturer at the University of Wales, Newport was introduced to the works of VII.  As the book is a compilation piece the variety of images means that there is something in there to please any viewer.


My favourite works from the book are:

Ageing in America by Ed Kashi.  This is a powerful series that challenges the common perception of the elderly population.  The series opens with an elderly man lifting weights and moves onto a marriage between a couple in their eighties.  The series turns darker and covers death and the impact and loneliness it has on surviving friends and relatives.  I'm impressed by the bravery of the subjects at letting Kashi into their lives at such a sensitive moment.  The use of black and white enhances the emotion of the images and removes the distraction of colour.  I would have liked to have seen some of the shots in colour for a more contemporary feel but I can understand why Kashi chose his route.

Lost Lives by John Stanmeyer.  This is a series that investigates appalling mental health care in the growing economies  in China and Indonesia.  I don't think that the facilities shown can be blamed for the huge overcrowding and squalid conditions and Stanmeyer seems to be pointing the finger at the respective governments.  The use of colour in these shots is very bold and the framing and lighting of each image is deliberately stark.  Taken in 2003 the conditions feel reminiscent of Victorian Britain and it would be interesting if he went back and recorded if any changes had occurred as a result of his work.



If it's still in stock you can buy the signed version of the book HERE, the site contains more shots of the pages and further information about VII and the photographers involved.